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Funny Movis Humour Must See Hollywood

"The but honest art form is laughter", said the dandy Lenny Bruce. "You lot can't fake it." With that in listen, permit Empire to guide y'all through l of the most truthful films e'er made, by which we mean our list of the best comedy movies of all time. Whether you're a clown or a curmudgeon, there'due south guaranteed to exist something here to target your funny os. From slapstick to sly satire, we've listed information technology all. We've dived dorsum through cine-history and also rounded upwards some contempo rib-ticklers likewise.

Yet if yous're however craving more laughter, simply perhaps with a footling added dear, we can recommend our list of The twenty Best Romantic Comedies. And if you want your one-act to come with some actress good feelings, then caput straight for 30 Feelgood Movies To Brand You Smiling. Considering, after all, don't nosotros still need that in our lives?

l. Sons Of The Desert

50 Greatest Comedies

Sneaking off for a weekend with their masonic lodge, Stan Laurel and Oliver Hardy are, sadly, very quickly busted by their wives in easily the all-time of their longer films. Rather than a serial of slapstick set-pieces haphazardly strung together (keen as those are), this is the outset L&H characteristic to structure itself through story and situation: Laurel working with new writers to help boom the new formula. And unlike the almost-equally-great Style Out W, this one doesn't stop for songs - although there are notwithstanding some cherishable musical moments along the way.

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49. Four Weddings And A Funeral

Four Weddings And A Funerl

We all have that friend who, try every bit we might to set them upward, remains single. In Mike Newell'due south classic of the genre, Hugh Grant'south Charles is that friend. Over the grade of 4 weddings, and – yes – a funeral, fate intervenes as he keeps bumping (or bumbling) into Andie MacDowell. An awfully British conglomeration of laughter, love and tears, Four Weddings too taught us the importance of setting that crucial alarm clock.

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48. Trading Places

Trading Places

Few films tackle the get-go '80s with as much delicious wit equally John Landis' Trading Places. The decade of excess is riotously skewered in a Marking Twain-inspired fable which sees Eddie Tater'south homeless hustler unwittingly swapping lives with Dan Aykroyd's snooty commodities trader, the consequence of a far-fetched wager. It'due south a smart exam of rich and poor from a fourth dimension when the gap was widening, and it's hilarious to kicking. As a bonus, it also boasts one of the best looks-to-photographic camera in cinema history.

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47. O Brother, Where Art Thou?

50 Greatest Comedies

The Coen Brothers accommodate Homer'due south Odyssey as a country-and-western musical. Because of class they exercise. One of their nearly accessible films, information technology looks beautiful, is perfectly bandage, and is replete with quotable lines ("We're in a tight spot", "I am the paterfamilias!", "Nosotros thought you lot was a toad", "Practise not seek the treasure!" and and so on). Merely information technology's the music that stays with yous. The soundtrack, curated past T-Bone Burnett, was a far bigger hit than the movie it came from, dusting off an American heritage ignored by the mainstream for decades. The alt-land motion starts hither.

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46. Galaxy Quest

50 Greatest Comedies

Both a sharp spoof and a loving homage to the original Star Trek, Galaxy Quest reunites the ageing bandage of an elderly Goggle box prove, none of whom much similar each other anymore, and sends them off on an unlikely interstellar adventure. Tim Allen gives it some excellent Shatner, Sigourney Weaver is slap-up as the smart woman playing the ditzy communications officer (complete with, after on, gratuitously exposed cleavage). Simply information technology's Alan Rickman who steals the show equally the Shakespearean thesp stuck with the empty-headed head make-upwards and the catchphrase he hates. Fans at a convention a couple of years ago voted this a better Trek than Into Darkness.

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45. Bridesmaids

Bridesmaids

You know that best friend you lot've had since playschool who volition never, ever leave your side? Bridesmaids deals with the fallout of what happens when your BFF finds the love of her life. Bated from girly fallouts (and backlog body fluids), Paul Feig'southward picture show boasts a very sugariness love story betwixt Kristen Wiig'due south failed baker and Chris O'Dowd's police officer. A human relationship based on cake is i we tin can all invest in.

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44. South Park: Bigger, Longer, Uncut

South Park Bigger Longer And Uncut

Holding the record for the most obscenities in an animated feature (at a whopping 399!), Trey Parker and Matt Stone take vulgarity to new levels in the big-screen version of their infamous TV series. Incredibly, they also notice a host of new means to be offensive, grafting their usual ingredients (scatology, thinly-veiled satirical jabs, deliberately crude animation) onto a plot which involves a war between Canada and America, and a dearest affair between Satan and Saddam Hussein. And it'southward all presented in the format of a massive classic musical, plain. Equally always, just every bit many viewers will dearest information technology every bit detest it, yet there are moments of comic brilliance hither (encounter the ER send-up featuring George Clooney's voice) in amid the digs at cinematic censorship, sweary movies and Jar-Jar Binks. Just like Cartman, this movie will warp your fragile little mind.

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43. Carry On Up The Khyber

50 Greatest Comedies

Anybody has their own favourite Carry On, so feel gratis to substitute yours here. We might as have plumped for Screaming or Cleo, but there's something almost Khyber that only edges the rest. Perhaps its the unusually dramatic locations (information technology'south just Snowdonia doubling for the Himalayas, but hey, information technology's bigger than the series usually looks). Perhaps it'southward that all the principals (Sid James, Kenneth Williams, Charles Hawtrey, Joan Sims et al) are nowadays and on top form. Perchance it's the likeable presence of Roy Castle every bit the one-time-but pb: a sharper focus than usual. Or perhaps it's that kilt scene… or the fact that Williams plays a character called "The Khasi".

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42. National Lampoon'south Animal House

50 Greatest Comedies

Beer is chugged and togas donned for the college party movie to cease them all. A rambunctious John Belushi is the memorable figurehead for the scattershot mayhem. In these days of exam audiences and slavish iii-act structures, Animal House'south wandering focus stands out, with supposed leads Tom Hulce and Stephen Furst disappearing from the activity for long stretches of time. Merely the screenplay - co-written by director Harold Ramis - is smarter than it appears: the '60s setting ways the spectre of Vietnam looms. Await closely and Animal House is more MASH than Porky's.

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41. In Bruges

In Bruges (2008)

Here's a film that starts off as pure comedy, Colin Farrell'southward sullen, put-upon hitman interim similar a schoolboy next to Brendan Gleeson'due south tolerant but exasperated older partner. What sets this apart, notwithstanding, is the turn for the nighttime it takes halfway through, turning into something closer to a tragedy. Ralph Fiennes' gangster with a code ("I want a normal gun for a normal person") provides the sinister contrast to the guilt-ridden Farrell and sympathetic Gleeson. That the laughs continue right down to the terminal minutes, amid mortality and heartbreak, is just a attestation to merely how funny writer/director Martin McDonagh's script is.

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40. Happy Gilmore

Happy Gilmore

The phrase "Adam Sandler golf game comedy" might non exist one to immediately fill most observers with great optimism, but 1996's Happy Gilmore was, and remains, ane of the best films on the SNL veteran's CV. Total of quality elements like Ben Stiller's Nazi nursing dwelling director and Carl Weathers' wooden-handed coach, it successfully walks the line betwixt sentimental and stupid that other Sandler films fall off. Happy, the psychotic hockey goon who loves his grandma, is one of best pegs on which Sandler has hung his angry man-child schtick, and there'due south fifty-fifty a sweet romantic sub-plot, which Sandler would successfully enhance ii years after for The Wedding ceremony Singer.

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39. Kind Hearts And Coronets

King Hearts and Coronets

Perhaps the apotheosis of the Ealing Comedy alongside the equally marvellous The Ladykillers, Kind Hearts And Coronets is another blacker-than-black comedy well-nigh murder. But it'southward probably most famous for Alec Guinness brilliantly playing eight separate roles, both male and female. All are members of the D'Ascoyne family unit, one-by-one meeting with unfortunate accidents as Dennis Toll pursues his destiny.

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38. The Philadelphia Story

Philadelphia Story

Unless yous're more of a High Social club fan (and there's nothing wrong with that) or an Information technology's Complicated addict (okay, slightly iffier turf ), this George Cukor divorcée archetype will hitting the sweet spot. Katharine Hepburn is a Philadelphia social club beauty, Cary Grant her roguish ex-husband and Jimmy Stewart the glory hack with an inadvertent hand in getting them back together again. Smart, sophisticated and notwithstanding as witty as ever, iii quarters of a century afterwards.

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37. Billy Liar

John Schlesinger's Billy Liar (1963)

Tom Courtenay is the titular William Fisher, shackled to a job in his local Bradford undertakers while he dreams himself various kinds of super-success. Part of the gritty new wave of British "kitchen sink" dramas in the early '60s, Billy Liar is unusual for its sense of humor and elaborate flights of fantasy: a event of the story's expansion from the stage to the screen. Standout in the wonderful supporting cast is Leonard Rossiter, as always, a particular pleasure equally undertaker Mr Shadrack. Key to the film though, evidently enough, is Billy himself, Courtenay keeping tight agree of the role he inherited on the West Cease stage from Albert Finney. Courtenay has the charisma to make the states intendance about Billy, fifty-fifty if information technology'due south never quite clear what the girls come across in him.

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36. Borat: Cultural Learnings of America for Brand Benefit Glorious Nation of Kazakhstan

Sacha Baron Cohen in Borat (2006)

Bringing the 2d of his 3 pop personalities from Da Ali G Evidence to the big screen, opinion-splitting comedian Sacha Baron Cohen scored a hugely-successful mega-hit with this lengthily-titled opus. Having learned a few lessons from Ali G InDaHouse, Cohen wisely returns to interacting with real people who are unaware they're talking to a film graphic symbol, with the semi-improvised style both revealing the hidden side of the American mindset and yielding hilariously discomforting moments. The movie'south instant impact was such that when information technology was first released you couldn't plow round without hearing "Niiice!" or "Hiiigh 5!".

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35. Immature Frankenstein

Young Frankenstein

Slap blindside in the middle of Mel Brooks' 1970s run of movie parodies, Young Frankenstein is obsessive in its devotion to the Universal accept on Frankenstein'due south monster (down to using the same props and lab equipment as the 1931 film) but also willing to become to any length for a gag. Physical humour brings the wordplay to life, and in that location'southward even a legendary trip the light fantastic number in 'Puttin' On The Ritz'. Brooks and co had so much fun shooting that the writer-managing director fifty-fifty added scenes near the stop of production but so they could go on on going, resulting in a disastrously long first cutting that required a marathon editing session to bring down to the swift, 106 minute last running time.

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34. Step Brothers

Step Brothers

Will Ferrell and John C. Reilly play pampered fortysomethings whose juvenile worlds collide when their single parents go married, in this archetype Adam McKay comedy. Often disregarded every bit the difficult third anthology following Anchorman and Talladega Nights, it tin can actually hold its head high in that company, and Reilly is great Ferrell foil. The pair are currently at work on Etan Cohen's Holmes And Watson.

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33. Ferris Bueller's Day Off

Day Off

Despite how '80s information technology is, Ferris Bueller's Day Off remains a timeless slacker classic. A love letter to both Chicago and skiving, John Hughes' coming-of-age one-act introduced united states to one of cinema'southward almost righteous dudes while demonstrating how phoning in sick should, ideally, be done. It should, in other words, involve elaborate imitation-outs that convince a town to rally around you while yous enjoy fine meals, tourist sights, baseball games and parades in the large city. Whatsoever else Matthew Broderick always does, this is the signature role he'll ever be remembered for.

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32. Bringing Up Baby

Bringing Up Baby

The quintessential screwball comedy, this combines dinosaur basic, a case of mistaken leopard identity, women's article of clothing worn by men and a big amount of money to delightful effect. Amazingly, Katharine Hepburn had never played comedy before and was completely unsure how to get nearly approaching information technology; happily she learned from her co-stars and is delightfully ditzy here. Onetime mitt Cary Grant shows off his feel for the form and goes from buttoned-up paleontologist to demented elevate queen as Hepburn puts him through hell – simply even he has to admit that he enjoys information technology actually. After all, she may be manic and scatterbrained, but she's a lot more fun than his uptight fiancée, so actually everything – as in the best screwball comedies – turns out for the best.

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31. His Girl Fri

His Girl Friday

If your romantic-comedy tastes lean more than towards crackerjack repartee and flirty chemistry than trunk contact, you can't really go wrong with this Howard Hawks archetype. Cary Grant is the charismatic Walter Burns, dismayed (just trying his best to hide it) that his superstar reporter Hildy Johnson (Rosalind Russell) is getting married and might head off to pastures new. Oh, and she's his ex-wife, to boot. Newsrooms may no longer sing with typewriter voices, but this ane doesn't age.

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xxx. G. Hulot'south Holiday

m-hulots-holiday

An most silent picture made in the 1950s, a pure slapstick farce with a blithely oblivious fundamental buffoon, this flick must take seemed anachronistic even earlier the prints were adult. Perhaps that'south considering it's a classic, with Jacques Tati'due south beautifully fatigued M. Hulot innocently causing havoc and misery to all around him equally he enjoys a welcome pause at the seaside. Ofttimes imitated (cf. Jerry Lewis, Rowan Atkinson), this has never been bettered, a perfect comedy meandering along despite the lack of anything resembling a real plot.

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29. MASH

Brew wasn't Robert Altman'southward first film, but it was arguably the get-go one anyone noticed. Based on a successful novel, it was a big-ish deal, just with the suits at Fox more concerned with two other war films shooting at the same time – Patton and the exceptionally troubled Tora! Tora! Tora! – what Altman was doing went largely under the studio radar. Hence he got away with the anarchic, loosely plotted, much improvised, barely organised counter-culture shambles that nosotros now know and dearest. Play a trick on were horrified when the finished product was delivered, but cheered upward when it was a hit. The moving picture's 'structure', substantially splitting neatly into four episodes, pointed to the way to future telly success – which Altman refused to have anything to practise with. Band Lardner won the moving-picture show's simply Oscar for his screenplay, despite having complained that non a give-and-take of it was filmed.

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28. Duck Soup

Duck Soup

The Marx Brothers' final film for Paramount is the apex of their career, a perfectly formed masterpiece earlier their move to the forced-romantic subplots and overblown musical interludes of the MGM years. Predictably, it was considered a thwarting on release in 1933. Information technology sees Groucho as Rufus T. Firefly, installed by his frequent nemesis Margaret Dumont as leader of the bankrupt Freedonia, an organization that obviously takes the country into anarchic war with neighbouring Sylvania. A surprisingly excoriating war satire as well equally a thoroughly ridiculous knockabout, Duck Soup is probably most famous for with the "mirror sketch" between Groucho and Harpo, but at that place'southward much more to it than only that.

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27. The Princess Bride

Inigo Montoya in The Princess Bride

The Princess Helpmate is many things. It'south a fantasy, it'southward a comedy, it's a romance, it'due south an adventure, it's a swashbuckler. It'south a fairy tale, primarily, a whirlwind yarn of princes and princesses, pirates and giants, villages and castles. It'southward also a wry take on fairy tales, with a sly satirical edge, and whimsically featherbrained names similar Prince Humperdinck, Fezzik and Buttercup. It is ultimately a simple and sweetly straightforward story-within-a-story, and fundamentally very erstwhile-fashioned. Languishing for years in the dungeons of development hell, it near never fabricated it to screen – a thought that now seems, well, inconceivable.

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26. Gentlemen Adopt Blondes

Gentlemen Prefer Blondes

Marilyn Monroe had already evinced a noticeable plow in Henry Hathaway'due south Niagara, but this was the film that really nailed the Monroe persona: Howard Hawks going Svengali on her equally he had with Katharine Hepburn and Lauren Bacall before. Monroe was already a sexpot, but she she now added light one-act to her repertoire, along with musical numbers: this is the film where she sings 'Diamonds Are A Girl's Best Friend'. The plot's perfunctory, and Jane Russell is forced to take a dorsum seat (although she gets all the sharpest lines), but the earth fell in dear and a star was born.

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25. The Producers

50 Greatest Comedies

Mel Brooks and Gene Wilder collaborate for the get-go fourth dimension and immediately show themselves a classic pairing - although Naught Mostel is besides central to this film'southward success. It's the story of unscrupulous theatricals who bet the house on a new musical being a disaster, only to unwittingly create an hilarious success. The ready piece bear witness tune 'Springtime For Hitler', complete with dancing Nazis, is justly famous. But scenes of Wilder losing his shit in that inimitable way are besides handsomely represented. Never accept abroad his blueish blankie.

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24. Napoleon Dynamite

50 Greatest Comedies

Deadpan slacker one-act directed past Jared Hess, who's never quite re-bottled the lightning he defenseless hither. Jon Heder stars as the no-hoper of the title, addicted of bowsticks and ligers, and friendly with Efren Ramirez, who runs for class president and finds that his head gets very hot. It's a picture near losers losing - merely besides occasionally winning. Crucially, it'due south never hateful-spirited. Heder's climactic trip the light fantastic toe routine is cringe-inducing, but also raises a hearty cheer.

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23. Team America: Earth Police

Kim Jong

One of the most deliberately offensive movies of the modern age, South Park creators Trey Parker and Matt Stone simultaneously lampoon US foreign policy, Michael Bay action movies and liberal Hollywood stars in one flammable satire. Though information technology's hard to credit the movie with any course of subtlety, there are bright moments (such as the hammer suicide gag or the utter destruction of Paris) and the decision to use marionette puppets is a masterstroke which allows the filmmakers to get abroad with any amount of ludicrousness. From Alec Baldwin to Kim Jong Il to Michael Moore, nobody is condom from Parker and Stone's wrath, while all your cherished Thunderbirds memories will be soiled forever afterwards seeing these puppets swear, puke and – yes, they went there – having sex. Despite not having any genitalia.

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22. ¡Three Amigos!

Three Amigos

The sound of inflated egos whistling as the air speedily escapes permeates this memorable comedy, which showcases Steve Martin, Chevy Chase and Martin Short. It might be ready in 1916 during the reign of silent movies, but ¡Three Amigos! skewering of actorly attitudes works perfectly in the star-driven '80s as iii imitation gunslingers are called upon to save a small Mexican village from bandits, but misunderstand the request as a asking for them to perform. Physical gags (that salute!) sit comfortably alongside verbal sparring, while the 3 leads mesh brilliantly. And earn ten trivia points from the Called-for Bush if you knew that this film was co-written past composer Randy Newman.

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21. Modern Times

50 Greatest Comedies

Prison house riots, factory shenanigans and blindfold rollerskating pile up in Chaplin'southward uproarious archetype, in which he plays an assembly line worker left behind past progress. Part of his afterwards flow when he was still doggedly ignoring the advent of audio, it was something of a comeback after a few years of relative inactivity, but showed he had lost nil. In fact, he had gained some bite: critics accept interpreted the pic as a satire on industry in general and Hollywood specifically. But at its core it's still the tramp vs. the system. It was always thus.

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20. The Blues Brothers

The Blues Brothers

Whether you come for the jokes and stay for the music or vice versa, this offers the best of both worlds. John Belushi and Dan Aykroyd are the titular musical siblings (adoptive), on a mission from God to relieve an orphanage. The pair had an easy chemistry that drives the film, neither wasting a word, but still able to raise a express mirth with goose egg but a twitch of the eyebrow. Never before (or since) in human history has the quest to pay a tax bill resulted in then much vehicular carnage, and then much impairment to the Illinois Nazi cause, and then much great music.

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19. Withnail & I

Bruce Robinson's Withnail & I (1987)

Endlessly quotable, and the focus of many a drinking game, Withnail & I is both farcical and moving in its depiction of the finish of the '60s, and of the friendship between its 2 leads. Information technology's one of those films that'southward so good, it'due south almost an albatross around the necks of its cast and crew. Author/manager Bruce Robinson has struggled to echo its scurrilous success and Richard E. Grant will exist forever associated with demanding to take some booze, going on vacation by mistake, and wanting to fork things. Yet, how better to be remembered than as office of ane of the well-nigh intelligent, literate, and fundamentally funny British comedies of all fourth dimension?

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18. Shaun Of The Dead

Shaun Of The Dead

A film and then original that it formed the ground for a new genre, the rom-zom-com (see as well: Zombieland), Shaun saw the Spaced squad of Simon Pegg, Nick Frost and Edgar Wright bring their talents for writing likeable losers and inventive genre spins to the big screen. The results are frankly hilarious, with Shaun and hetero-life-partner Ed trying to save those they beloved amidst a zombie apocalypse. Their plans are persistently rubbish, their weapons of option bizarrely selective (only the bad records can be used to behead the undead) and their leadership all messed up. It'due south a welcome change from the more than gung-ho American responses to these outbreaks, and the sublimely effective contrast of twee tea-making and zombie mayhem makes information technology a piece of fried gold.

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17. Annie Hall

Annie Hall

The dividing line between Woody Allen's "early on, funny™" films and whatever yous want to call what came after, Annie Hall saw the nebbish auteur aiming for greater profundity than in the likes of Take The Money And Run and Bananas. That'south non to say in that location aren't however arable laughs, but there was now also wistful romance in the relationship between Diane Keaton's Annie and Allen'southward Alvie, and the ancestry of the love affair with New York that Allen would expand into Manhattan. Allen's preferred title was Anhedonia, which is the inability to experience pleasure from things unremarkably considered enjoyable. His co-writer Marshall Brickman's suggestions meanwhile, apparently included Information technology Had To Be Jew and Me And My Goy.

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16. Height Secret!

Top Secret

Information technology might not have landed quite equally high on the list as Zucker-Abrahams-Zucker's other, more famous comedy, but Superlative Secret! even so has a huge, defended following. It'due south not tough to see why: an assured parody of World War Ii spy movies, Elvis Presley musicals and a welter of other topics, it sees American rocker Nick Rivers (Val Kilmer, showing serious deadpan comic chops) becoming involved in the French (German language?) resistance's plan to rescue kidnapped scientist Dr. Paul Flammond (Michael Gough). It's inventive, non-stop and loaded with and then many tiny jokes and references that it'southward easy to run across why this stands up to countless re-watching. Later all, how many films can claim a scene that works both frontwards and backwards (on the Swedish bookstore) and lasts for exactly 88 seconds? Only this 1.

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15. The Apartment

Shirley MacLaine and Jack Lemmon in The Apartment (1960)

Billy Wilder at the height of his powers. He crams existent center and heavyweight topics into what could otherwise have been a fluffy, flirty, sometimes farcical comedy. Jack Lemmon and Shirley MacLaine spar and yearn, and it boasts one of the best scripts of whatsoever on this list thanks to Wilder and regular collaborator I.A.50. Diamond, who between them rarely plant a genre they couldn't fissure.

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14. Blazing Saddles

Blazing Saddles

It starts with the sight of a chain gang singing Cole Porter, and ends with its heroes watching themselves in the movie theater. In between, Blazing Saddles manages to exist both crazily scattershot and impressively focused, madly meta but also sweetly traditional. The sheer volume of jokes thrown out onto the prairie of Mel Brooks' comedy western is immense, but it never really forgets its story – black sheriff helps white town defeat the railroad – and actually has thoughtful things to say near the genre's inherent racism, if you care to await beyond the farting. It also gets better and better the more Westerns y'all watch. Richard Pryor was one of the co-writers, choosing to go the train rather than fly from New York to LA for the production, since it allowed for more drinking time. Gotta have priorities.

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13. The General

Empire's action top 50

Three steps to train fight glory: starting time, witness the theft of your honey train; next, requite fanatical chase; finally, steal railroad train back and steam back. Simple, right? Not so much. Put information technology this fashion: The Buster Keaton Train Timetable wouldn't sell a single copy on this bear witness. Information technology's pure narrow-gauge mayhem when Old Stone Face takes on a nefarious posse of Union spies who have stolen his locomotive. There are none of those traditional railway fistfights hither, but there are sleepers on the line, a whooping cracking trench mortar and that climactic moment where an entire span collapses. It's basically 2 trains rolling up their sleeves and beating lumps out of each other and it remains, 87 years subsequently, utterly glorious cinema.

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12. Dr Strangelove

Dr. Strangelove

Stanley Kubrick's jet black comedy famously stars Peter Sellers playing 3 separate roles and wildly improvising in all of them. He'southward the buttoned-down British Group Captain Lionel Mandrake; the ineffectual Usa President Merkin Muffley; and the mechanically-armed cartoon ex-Nazi Dr Strangelove (existent name "Merkwürdigliebe") who can't quite become out of the habit of calling the president "Mein Fuhrer". Sellers was also supposed to play Texan Air Force Major TJ "King" Kong, but injured himself and couldn't work in the fighter airplane's cockpit (he was replaced past Slim Pickens). Devastatingly deadpan, this has the darkest of all imaginable endings, which is all the more impressive given that it originally climaxed with a pie fight. Kubrick, wisely, thunk once more.

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11. The Big Lebowski

The Big Lebowski

The Coen Brothers' version of a Raymond Chandler noir, The Big Lebowski sees Jeff Bridges equally The Dude, drifting, Philip Marlowe-like, around and through the middle of a tortuous mystery with nebulous results. He stumbles onto kidnapping, embezzlement, nymphomaniacs and nihilists – And all he wanted was bounty for his rug. There's besides, of grade, enough of time for bowling with crazed 'Nam vet John Goodman and uncomplicated Steve Buscemi, leading to some cherishable face-off's with John Turturro'southward pink-clad, backwards-dancing, sex-offending Jesus Quintana. The bowling was important in suggesting an anachronistic time-period, Joel Coen explained. "It sent us dorsum to a not-so-far-away era, just one that was nonetheless truly gone." The Big Lebowski is truly gone indeed.

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10. Ghostbusters

Ghostbusters

Originally, the Peter Venkman role was written for John Belushi; the Rick Moranis role for John Candy. But having seen the greatest effects one-act ever made, it's impossible to imagine anyone else doing such a practiced chore as this cast – in particular Bill Murray's free-wheeling Venkman. And there are genuine scares in hither to make the laughs all the louder by comparison (don't know about you, but we even so spring a trivial at the Library Ghost). The atomic number 82 trio expertly mine every facet of the supernatural for every possible express mirth, from crooked researchers to gross-out slime ghosts to enormous inter-dimensional invasions. They even turned Sigourney Weaver into a terrifying ridged black beast, something even the Alien franchise never quite managed.

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nine. Anchorman

AM

It really shouldn't work. Adam McKay and Will Ferrell's rambling, surreal and dementedly casuistic film doesn't audio on paper like it would have such a consistently high striking rate for its gags, but astute piece of work on both sides of the photographic camera see to that. So much footage was shot that an entire (funny) bonus film was created from alternate scenes and discarded subplots, handily released as Wake Up, Ron Burgundy: The Lost Movie, and what was winnowed to appear in the principal film is barmily brilliant. Though information technology may not have made a huge impact at the box office, some films are destined to abound from humble beginnings into cult behemoths. When incessantly quote-worthy dialogue enters everyday conversation (as it has at Empire Towers), you know information technology'due south something special. Never seen it? Resisted watching it considering y'all were worried it wouldn't live up to the hype? Nosotros invite you lot to the pants party. The party… with the pants.

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8. Monty Python And The Holy Grail

Monty Python And The Holy Grail

The starting time real motion picture from the surreal superstars of the Pythons, Holy Grail contains some of the most inspired writing ever committed to celluloid, with the team playing King Arthur and his loyal(ish) knights on a canaille quest for the titular loving cup. Sure, the budget appears to accept been about 50p, simply that spurs the team to greater heights of fancy, substituting coconut halves for horses' hooves and using excellent inanity instead of ballsy calibration. The jokes accept spawned a billion student imitators, from claims that "it's merely a mankind wound" to Gallic insults to knights who say "ni" and demand shrubberies to elaborate discursions on the appropriate base for a organisation of regime. Worth it for the Trojan rabbit gag alone.

Read Empire's Monty Python And The Holy Grail review here

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seven. The Naked Gun

Leslie Nielsen as Frank Drebin in The Naked Gun

The sixth episode of Police Squad could have been the last we saw of Lieutenant Frank Drebin. Cancelled by ABC, reportedly over fears that information technology required the audience to pay too much attention, the show languished for 6 years before it was resurrected for this, the outset of three films. As with Zucker-Abrams-Zucker'due south pervious Aeroplane! the biggest joke is the dead seriousness of Leslie Nielsen. Here, however, he'due south finally and gloriously centre stage, spouting ludicrous hard-boiled cop clichés equally chaos reigns around him (much of it chaos of his own making). Props too, to George Kennedy and Priscilla Presley as, respectively, Drebin'south long-suffering boss and newly put-upon beloved interest. These days though, it has to be said that the presence of O.J. Simpson as Nordberg feels encarmine weird.

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6. Life Of Brian

Brian

Hailed by many equally the peak of the surrealist troupe's piece of work, Monty Python'due south Life Of Brian is a contender for the greatest comedy e'er made. The film famously came into being when Eric Idle flippantly appear at a press conference that their side by side project would be chosen 'Jesus Christ: Animalism For Celebrity'. Despite blasphemy allegations from the Catholic Church and funding issues (until Python fan George Harrison stumped up the cash simply considering he wanted to run across the picture show), the Pythons pulled together an irreverent banquet of clever allegory, sharp satire and in-depth discussions of Latin grammer as it applies to anti-Roman graffiti.

Read Empire's Life Of Brian review hither

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five. Airplane!

Airplane!

Zucker, Abrams and Zucker were ruthless with their magnum opus, playing numerous crude cuts of the flick to college audiences and excising annihilation that didn't get a big express mirth. The streamlined disaster movie riff that is left, and then, is pure quadruple-distilled comedy, with a gag charge per unit of virtually iii hilarious jokes per minute and a perfect mix of surrealism, wit, parody and inspired physical gags. It has inspired approximately a billion quotes and homages in the 30 years since information technology kickoff hit screens and even so hasn't ever been equalled by its many, many imitators. Looks like information technology paid off for the ZAZ team to impale so many of their babies – comedy similar this is a seriously tough business.

Read Empire'southward Airplane! review here

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4. Some Similar It Hot

Some Like It Hot

Everybody knows that Marilyn Monroe was gorgeous, but people don't give her enough credit for her comedy chops – and they're brilliantly showcased here. Sure, she was a nightmare to piece of work with on gear up, an emotional mess who required scores of takes on the simplest lines, but manager Billy Wilder persisted until he captured her unique lightning in a bottle. Not that this is a one-woman show. The male person leads practice the heavy lifting: Jack Lemmon was on height form, and Tony Curtis never funnier than here, playing two jazz musicians on the run from the mob and disguised equally women in an all-girl band. Men in drag may be a cheap manner to mine laughs, but this is the absolute pinnacle of the class, Wilder and his cast turning a cheap sex one-act into a fizzy, flawless farce.

Read Empire's Some Like It Hot review here

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iii. When Harry Met Sally

When Harry Met Sally…

There'due south a reason this one usually ends up topping a list of best rom-coms: considering it'southward bloody brilliant. Nora Ephron derives real emotions, Rob Reiner makes information technology work perfectly on screen and that cast! Not a moment is wasted, and even as you swoop downward the supporting actor list, there are fantastic turns. Few films earn a schmaltzy ending quite every bit well as this one, and you know y'all're on to a winner when so many lines and scenes get office of the romantic dictionary.

Read Empire's When Harry Met Sally review here

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two. This Is Spinal Tap

This Is Spinal Tap

If yous're a fan of The Office (and, given that y'all're reading a characteristic virtually great one-act, chances are high), and so you can thank Rob Reiner's inspirational mock-doctor for the show. Based on Martin Scorsese's The Terminal Waltz, Reiner's scarily plausible rockumentary is both a brilliant depiction of the music business organization and i of the best comedies ever to strut onto the big screen in tight leather pants and improbable hair. The fruit of hundreds of hours of footage with a large corporeality of improv, the actuality on show is quite staggering, while the hitting rate of the gags goes all the way up to eleven.

Read Empire'due south This Is Spinal Tap review here

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one. Groundhog Day

Groundhog Day

A decade later Ghostbusters, Groundhog Day saw Harold Ramis and Pecker Murray in more than thoughtful form. Murray's contemptuous weatherman Phil Connors makes a Scrooge-similar emotional journeying from recluse to romantic, via a karmic fourth dimension loop that sees him endlessly revisiting the same day until he gets information technology right. Murray's hangdog exasperation is a joy as ever, simply he'south also revealed hither as a surprisingly apparent romantic lead. The specifics of what happens to him are never explained (some guff well-nigh a voodoo curse was thankfully dropped), and his time in limbo is up to individual interpretation: Ramis said information technology'due south anything from ten years to 10,000. Coincidentally, that's also the number of times you tin can sentry the film without it getting quondam.

Read Empire's Groundhog Day review here

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Source: https://www.empireonline.com/movies/features/best-comedy-movies/

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